\n<\/strong>dance concert, Feb. 9-11<\/span>, displays talents of
\nacclaimed choreographers, more than 70 dancers\u00a0<\/strong>\u00a0<\/strong><\/p>\n
Highlights include pieces by Cristina Perera, <\/p>\n Allentown, Pa. (Jan. 11, 2017<\/span>) \u2014 The Muhlenberg College dance program will showcase two iconic re-stagings and one original piece from three world-renowned choreographers, as well as four world-premiere works by accomplished returning contributors, in its annual \u201cMaster Choreographers\u201d concert, Feb. 9-11<\/span>.<\/p>\n This year\u2019s \u201cMaster Choreographers\u201d features restagings of \u201cRadical Severance,\u201d choreographed by Cristina Perera, and \u201cWhen We Fly,\u201d choreographed by Orion Duckstein. The concert also features an original balletic piece, \u201cWithout Words,\u201d by Trinette Singleton, as well as new works by four Muhlenberg dance faculty: Heidi Cruz-Austin, alumna of the Pennsylvania Ballet; Shelley Oliver, director of Shelley Oliver Tap Dancers; Randall Anthony Smith, r\u00e9p\u00e9titeur and assistant to choreographer Donald McKayle; and Jeffrey Peterson, former dancer with Danny Buraczeski\u2019s Jazz dance<\/em>.<\/p>\n \u201cThis concert presents a spectacular evening of dance,\u201dsays Karen Dearborn, founding director of Muhlenberg\u2019s dance program, and the concert\u2019s artistic director. \u201cWe are thrilled to showcase new work from Trinette Singleton and guest works by Cristina and Orion, as well as our fabulous faculty choreographers.\u201d<\/p>\n Perera\u2019s piece is funded by a Mellon Choreographers on Campus grant. The Andrew W. Mellon Foundation brings established and emerging choreographers to the classrooms, studios, and stages of area colleges. The collaborative program explores the use of dance as an art form and how its creative powers can be infused across a liberal arts curriculum.<\/p>\n Perera has performed as a soloist and principal dancer around the world, with some of the most notable figures in the performing arts. A veteran of the Alvin Ailey Dance School, she has choreographed ballets, concert dance pieces, dance theatre, musicals, film and music videos in Europe, Asia, and North and South America. In 2008 Perera became artistic director of Cirque du Soleil\u2019s \u201cAlegria.\u201d Perera received the 2010 Aesthetics Interaction prize from the Brazilian National Arts Foundation FUNARTE for one of her production \u201cConstructions.\u201d<\/p>\n \u201cYou’re going to see the kind of movement and dancing that you do not often see,\u201d says the Lansing State Journal,\u00a0\u201cWhat Cristina does is very unique.\u00a0She has a strong choreographic style.”<\/p>\n Duckstein\u2019s “When We Fly\u201d was originally choreographed in 2006 for Adelphia University, where he is currently a member of the dance faculty. Duckstein danced for the Paul Taylor Company for 11 years, and before that with Taylor 2, the outreach and performance arm of the company. During his tenure he danced pivotal roles in nearly every major Taylor work and served as Taylor\u2019s choreographic assistant for several major works. Duckstein has set his own works in New York and throughout the country.<\/p>\n Trinette Singleton was a principal dancer with the Joffrey Ballet for nearly 20 years. She was thrust into national prominence in 1967, appearing in Robert Joffrey\u2019s multi-media ballet \u201cAstarte.\u201d She was also the first dancer to appear on the cover of the national news magazine \u201cTime.<\/em>\u201d Currently, Trinette is co-artistic director of Repertory Dance Theatre in Allentown, and she serves on the dance faculty at Muhlenberg and at DeSales University, Center Valley.<\/p>\n The annual \u201cMaster Choreographers\u201d concert features premiere dance performances in a diverse selection of styles and genres, ranging from classical ballet to contemporary jazz, pointe, modern dance, and tap accompanied by live jazz music.<\/p>\n Performances of \u201cMaster Choreographers\u201d will take place Thursday, Feb. 9<\/span>, at 8 p.m.<\/span>; Friday, Feb. 10<\/span>, at 8 p.m.<\/span>; and Saturday, Feb. 11<\/span>, at 2 and 8 p.m.<\/span> Tickets are $15 for adults and $8 for patrons 17 and under. Performances are in the Empie Theatre, in the Baker Center for the Arts, Muhlenberg College, 2400 Chew St., Allentown. Information and tickets are available at 484-664-3333 or muhlenberg.edu\/dance<\/u><\/a>.<\/strong><\/p>\n <\/p>\n Founded in 1848, Muhlenberg College is a highly selective, private, four-year residential college located in Allentown, PA., approximately 90 miles west of New York City. With an undergraduate enrollment of approximately 2,200 students, Muhlenberg College is dedicated to shaping creative, compassionate, collaborative leaders through rigorous academic programs in the arts, sciences, business, education and public health. A member of the Centennial Conference, Muhlenberg competes in 22 varsity sports. Muhlenberg is affiliated with the Evangelical Lutheran Church in America.<\/em>\u00a0<\/em><\/p>\n Muhlenberg offers Bachelor of Arts degrees in theater and dance. The Princeton Review has ranked Muhlenberg\u2019s theater program in the top twelve in the nation for eight years in a row, and Fiske Guide to Colleges lists both the theater and dance programs among the top small college programs in the United States. Muhlenberg is one of only eight colleges to be listed in Fiske for both theater and dance.<\/em><\/p>\n <\/p>\n Choreographer Bios<\/strong><\/p>\n Heidi Cruz-Austin<\/strong> began her dance training at the age of four at the Dolly Haltzman Dance Academy in Allentown. She went on to study at the School of American Ballet and the Pennsylvania Ballet. Cruz-Austin received an apprenticeship with the Pennsylvania Ballet in 1994 and joined the company as a member of the Corps de Ballet in 1995. She danced numerous featured roles in her tenure there including leads for various choreographers such as George Balanchine, Val Caniparoli, Ben Stevenson, Alvin Ailey, Margo Sappington, Christopher d\u2019Amboise and Matthew Neenan. In addition to dancing with Pennsylvania Ballet, Ms. Cruz-Austin danced with the Philadelphia-based company Ballet X and has performed as a guest artist throughout the United States and Europe. Cruz-Austin currently teaches for the Earl Mosley Institute of the Arts, Muhlenberg College, The University of the Arts, and Temple University. Heidi received a 2008 Fellowship from the New Jersey State Council on the Arts for her choreography and is currently the co-artistic director and resident choreographer of DanceSpora dance company.<\/p>\n Orion Duckstein <\/strong>danced with the Paul Taylor Dance Company for 11 years, and before that with Taylor 2, the outreach and performance arm of the company. During his tenure he danced pivotal roles in nearly every major Taylor work, such as \u201cCompany B,\u201d \u201cEsplanade,\u201d \u201cCloven Kingdom,\u201d and Taylor’s own role in \u201cAureole.\u201d Near the end of his performing career with the Taylor Company, Mr. Taylor chose Duckstein as his choreographic assistant for several dances. Before dancing for Taylor, Duckstein danced for noted choreographers Sung Soo Ahn, Peter Pucci, Robert Wood, and Margie Gillis. He still performs professionally, most recently joining Take Dance NY with choreographer Takehiro Ueyama for their 2015 New York season and summer tour. Duckstein has set his own choreography on New York-based companies Mazzini Dance Collective and Patricia Kenny Dance Collection and shown his work in many venues in New York and beyond, including the Downtown Dance Festival and the Jacob\u2019s Pillow International Dance Festival. Duckstein has been artist-in-residence at colleges in Texas, California, and New England.<\/p>\n Shelley Oliver<\/strong> is a Canadian-born tap dancer, choreographer and educator. She has appeared internationally with some of the legends of the tap world, including Savion Glover, Gregory Hines, Buster Brown, Jimmy Slide, and Chuck Green. She is a founding member of Manhattan Tap and served as a co-artistic director and choreographer with the company touring concert halls and festivals in Europe, China, the Caribbean, Canada, and the United States.\u00a0 Oliver was the artistic director of the Shelley Oliver Tap Dancers for 15 years, touring with the David Leonhardt Jazz Group throughout the northeast. Her television appearances include \u201cTap Dance in America\u201d with Gregory Hines and \u201cStar Search.\u201d A dedicated teacher and educator, Oliver has conducted lecture demonstrations for Lincoln Center, New York City Public Schools and various universities throughout the United States. On faculty at Muhlenberg College, she directs the Muhlenberg Jazz Tap Ensemble, providing community outreach in the Allentown area. Oliver has produced a series of Tap Music for Tap Dancers CDs that have become a standard pedagogical tool in the tap dance world. More recently as a soloist she toured as guest artist with the River City Brass Band in Pittsburgh and with Le Sextet Clic-Clac-Cloc in Geneva, Switzerland. She is the recipient of the 2009 Outstanding Dance Educator Award from the Lehigh Valley Dance Consortium.<\/p>\n <\/p>\n Cristina Perera<\/strong> had her dance education in classical ballet at the Municipal Theatre of Rio de Janeiro Brazil and Salle Pleyel in Paris, France. Her modern and contemporary education started in London at the London Contemporary Dance Theatre School and continued in New York at Alvin Ailey Dance School with a full merit scholarship. Perera has performed as a soloist and principal dancer around the world with various companies, as she has worked with some of the most notable figures in the performing arts, including Frederick Ashton, Flemming Flindt, Ulysses Dove, Judith Jamison, Mark Morris, Peter Sellars, Robert Wilson, John Adams, Philip Glass, George Tabori, Marcia Haydee and many others. She has choreographed ballets, concert dance pieces, dance theatre, musicals, film and music videos in many European countries, in Asia, North America and South America. Perera was one of eight choreographers chosen by Ballet Builders in New York to present original works, debuting her piece \u201cUnder Time.\u201d In 2008 she became the artistic director of Cirque du Soleil\u2019s \u201cAlegria.\u201d In 2010, Perera received the Asthetics Interaction prize from the Brazilian National Foundation for the Arts, FUNARTE, for one of her productions in Brazil. As a teacher she has taught in the School of Performing Arts Vienna, Austria; dance Festivals such as ImPuls Tanz (Vienna) and Tanz Bozen\/Bolzano Danza (Italy); Dance Theatre Bralen (Bratislava, Slovakia); SUNY Purchase; and many other schools in Europe and the United States alike. Perera has given workshops and master classes at the National Theatre in Weimar, Germany; Maxim\u2019s Dance Company (Brno, Czech Republic); the National Theatre of the Czech Republic; and Duncan Dance Conservatory in Prague, Czech Republic, among many others. Currently she is working on her own projects, teaching and choreographing in Europe, the United States and Brazil.<\/p>\n Jeffrey Peterson<\/strong> is an assistant professor of dance at Muhlenberg, teaching studio coursework in jazz, modern, partnering, composition, and Laban Movement Analysis. He holds a Master of Fine Arts degree in dance from New York University\u2019s Tisch School of the Arts, a Bachelor of Fine Arts in dance from the University of Minnesota, Twin Cities, and a certification in Laban Movement Analysis and Bartenieff Fundamentals from Integrated Movement Studies. Early performing highlights include works by Chris Aiken, Zvi Gotheiner, Bill T. Jones, Jos\u00e9 Lim\u00f3n, Doug Varone, and Johannes Wieland. Peterson began his professional dance career in national tours with JazzDance by Danny Buraczeski. Since then, he has performed in the work of Clare Byrne, Edisa Weeks, and Stephan Koplowitz, and with the Minnesota Opera, among others. His choreographic work, called \u201cpoetic precision\u201d by the Minneapolis StarTribune and \u201cmoving and heart-racingly joyous\u201d by the St. Paul Pioneer Press, has been commissioned by Dance New Amsterdam, Movement Research at Judson Church, and Rhythmically Speaking. His choreography has been seen in venues in Philadelphia, New York City, Minneapolis, Vancouver, Los Angeles, and around the Lehigh Valley. At Muhlenberg, he has choreographed for the last four \u201cMaster Choreographers,\u201d \u201cThe Mystery of Edwin Drood\u201d and \u201cChicago.\u201d Peterson\u2019s ongoing creative and scholarly work includes choreographic projects as well as research on the application of Laban and Bartenieff Studies to dance and life.<\/p>\n Trinette Singleton <\/strong>was a principal dancer with The Joffrey Ballet for nearly 20 years. She was thrust into national prominence in 1967, appearing in the multi-media ballet \u201cAstarte,<\/em>\u201d created on her by her mentor, Robert Joffrey. Singleton was the first American dancer to appear on the cover of the national news magazine Time.<\/em> Following her performing years, she was administrative assistant to Robert Joffrey and ballet mistress for the company from 1979 to 1984.\u00a0 In 1984, Singleton joined the faculty of The Joffrey Ballet School, New York City, teaching until 2004. In 2008, Trinette appeared as a guest artist in the Joffrey Ballet Company\u2019s Tudor Centennial, in Chicago. Since 2000, she has been on the faculty of The Joffrey Texas Workshop, in San Antonio. She is prominently featured in the documentary, \u201cThe Joffrey Ballet: Mavericks of American Dance.<\/em>\u201d Singleton serves as a director on the Arpino Foundation; she is also a member of Cecchetti USA and an honorary member of Cecchetti International Classical Ballet.\u00a0 In 2014, she served as a judge during the Cecchetti International Classical Ballet Competition. Currently, Singleton is co-artistic director of Repertory Dance Theatre in Allentown. She is also on the faculty at Muhlenberg College and DeSales University, Center Valley. She holds her Licentiate, Imperial Society of Teachers of Dance, London, England, and her Doctor of Fine Arts, Honoris Causa, DeSales University.<\/p>\n Randall Anthony Smith<\/strong> is a current dancer with Armitage Gone! Dance (New York City), Amanda Selwyn Dance Theatre (New York City), and the Megan Flynn Dance Company (Philadelphia).\u00a0He\u00a0 serves as a r\u00e9p\u00e9titeur and assistant to choreographer Donald McKayle, having performed for McKayle\u2019s Etude Ensemble for four years. Smith earned his Master of Fine Arts degree in dance from the University of California, Irvine. He maintains a practice of performing, restaging, and interpreting McKayle\u2019s repertory, creating his own dance works, and teaching dance nationally. In 2012, Smith performed with acclaimed ballerina and choreographer Jodie Gates in \u201cMein Zimmer.\u201d Other recent performances include works by Bulareyaung Pagarlava, Shen Wei, and zoe|juniper, as well as \u201cWOW\u201d (2014), an experimental opera created by Joe Diebes, Christian Hawkey, and Adam Levin. Smith\u2019s recent credits include a restaging of McKayle\u2019s \u201cThe Fight\u201d (from the musical \u201cGolden Boy,\u201d starring Sammy Davis, Jr.) for the American Dance Machine of the 21st Century (2015). Last summer Smith performed in Philip Glass\u2019s opera “Witches of Venice,” commissioned by Opera Saratoga in Saratoga Springs, New York. On May 12, 2016, Smith received a Distinguished Alumni Award at the 46th Annual Lauds and Laurels Awards Ceremony at the University of California, Irvine. <\/p>\n <\/p>\n <\/p>\n
\n<\/em><\/strong>Orion Duckstein, Trinette Singleton<\/em><\/strong><\/p>\n
\nInformation Provided By:
\nScott Snyder
\nMarketing Manager
\nMuhlenberg College
\nDepartment of Theatre & Dance<\/p>\n
\n
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